Peter Osborne - 'To Each Present its Own Prehistory: The Fiction of the Contemporary'
This talk is concerned, first, with the idea of ‘the contemporary’, and second, with the demands this idea imposes on art today, under the conditions of a tendentially global transnationalism. It will conclude with some reflections the convergence and mutual conditioning of historical transformations in the ontology of the artwork and the social relations of art space.
There are two texts suggested by Peter Osborne as an introduction to this lecture: ‘Time and the Artwork’ and ‘Non-places and the Spaces of Art’, digital copies can be requested on the Contact area of this website.
What makes a transnational practice or perspective in art or curating? TrAIN Conversations are informal conversations with invited artists and curators, followed by round-table discussions with the participants.
Speakers have included Gayatri Sinha, curator and critical writer on art, based in New Delhi, Paul Domela, curator of the Liverpool Biennale, Ingrid Pollard, photographer based in London, Judy Freya Sibayan, artist and curator based in Manila, Charles Esche, curator and Director of the Van Abbe Museum, Eindhoven; and Jonathan Martin, filmmaker based in London.
Find out more about TrAIN Conversations
I studied in the UK (Edinburgh and London) and I have worked in the UK, the USA, and in Europe, where I am now at the University of Amsterdam. Following my PhD I have written extensively on art in Britain in the nineteenth and early twentieth century with two books, Painting Women (1994) and Beyond the Frame: Feminism and Visual Culture (2000) along with exhibitions such as ‘The Edwardian Era’ (co-curated 1987).
Find out more about Professor Deborah Cherry