Black Artists and Modernism (BAM)
Black Artists and Modernism (BAM), is a three-year research project led by University of the Arts London (UAL) in partnership with Middlesex University, funded by the Arts and Humanities Research Council (AHRC). BAM will investigate the artworks of Black-British artists and the works’ relationship to modernism. The term ‘Black-British’ takes its cue from political and cultural debates of the 1980s, where people of African-Caribbean, South-East Asian and East Asian descent identified common experiences of disenfranchisement. Designed to reach a wide audience from students and academics to a more general audience for the arts, BAM will focus its attention on highlighting art-works held in major public collections and key exhibitions that have taken place in the post-war period via an online database and website. The project will look at how these cultural artefacts have been framed within the larger story of 20th century art.
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TrAIN Member - Director
Paul Goodwin is an independent curator, lecturer and urban theorist based in London. Paul’s curatorial and research interests span the fields of art and migration, urbanism and critical curation.
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David Dibosa trained as a curator, after receiving his first degree from Girton College, University of Cambridge. He was awarded his PhD in Art History from Goldsmiths College, University of London.
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In the broadest sense, my research interests lie in art as a social practice and the critical and contextual debates that arise from this burgeoning field. Since the 1990s my own art practice has relied on working with other people in collaborative and participatory situations, often demanding of those collaborators spontaneity and unrehearsed performative actions.
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